Alex Hanimann at the Heilbronn Art Association: Seeing, Perceiving, Marveling
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When perception itself becomes an exhibition
With Of Things, Places and People, the Heilbronn Art Association presents an exhibition that sharpens the gaze while simultaneously unsettling: Alex Hanimann examines how images are created, how reality transitions into photography, and how much our perception is shaped by movement, distance, and attention.
Two forms of seeing, two spaces of experience
The presentation focuses on two different ways of looking. On one side is casual seeing, that perception en passant, as experienced from a car window or a moving train. On the other side appears the concentrated gaze on the person, on pose, posture, and staging. Hanimann does not present these poles against each other but lets them resonate together as a poetic tension field.
Alex Hanimann and the art of observation
The artist, born in 1955 and living in St. Gallen, belongs to the prominent Swiss positions in conceptual and media-crossing art. Since 1981, he has been working freelance in drawing, painting, object art, printmaking, sculpture, installation, video, and public art and construction. He understands his series as a kind of encyclopedia of the visible. It is precisely these serial, analytical, and at the same time image-poetic processes that give his oeuvre an art historical depth.
Photography between chance and construction
In Heilbronn, it becomes clear how precisely Hanimann uses photography as a medium of knowledge. The landscape photographs from the series Driving carry the trace of travel, speed, and the random moment within them. They are snapshots between sharpness and blurriness, between document and perception image. The staged portraits, on the other hand, condense into silent tableaus, in which the face, gesture, and spatial presence gain a new intensity.
Exhibition atmosphere at the Heilbronn Art Association
The curatorial setting uses the spaces of the art association effectively: projected landscapes enhance the fleetingness of seeing, while the portrait photographs invite precise comparison. Thus, an exhibition atmosphere emerges in which light, surface, and rhythm direct the viewing of the works. For art-interested visitors, a unique art experience develops that does not explain perception but makes it tangible.
Cultural education and aesthetic experience
The exhibition is particularly suitable for anyone interested in photography, contemporary art, conceptual art, and the question of the relationship between reality and representation. It combines cultural education with aesthetic experience and makes visible how precisely an artist works with serial image sequences, photographic composition, and spatial effects. It is precisely in this reduction that the great strength of the exhibition lies.
Conclusion
Alex Hanimann opens a clever, calm, and highly concentrated exhibition about seeing itself in Heilbronn. Anyone interested in contemporary art, photography, and the subtle transitions between perception and worldview should definitely experience this exhibition live.
Official channels of Alex Hanimann:
- Instagram: no official profile found
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- YouTube: no official profile found
- Website: https://kunstverein-heilbronn.de/
